![]() This area quickly became synonymous with the birth of Impressionism, for it was here, during a period of financial success and personal stability for the artist, that Monet consolidated the formal vocabulary which would come to define the movement. Painted in the immediate aftermath of the groundbreaking First Impressionist Exhibition, Monet’s Les Bords de la Seine au Petit-Gennevilliers focuses on the idyllic Parisian suburb of Petit-Gennevilliers, on the opposite bank of the Seine to the artist’s adopted home in Argenteuil. Often painting within the landscape itself - en plein air - they captured a direct and instinctive response to their subjects, leaving behind the studied techniques and often-meticulous mimesis of the work of their artistic predecessors. Using pure, unmixed colours, the Impressionists painted with a never-before-seen spontaneity and rapidity, leaving their brushstrokes visible as they sought to capture the ephemeral effects of light, atmosphere and movement. The First Impressionist Exhibition, as it has come to be known, launched a movement that would alter the course of art for ever. Organised by a group of artists who called themselves the Anonymous Society of Painters, Sculptors, Printmakers, Etc., it showed the radical work of Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Edgar Degas and Berthe Morisot, among others.įor these artists, at the time hardly known within the Paris art world, as well as the critics and public who came to visit the exhibition, it would have been impossible to fathom just how important it was. ![]() On 15 April, 1874, an exhibition opened at a photographer’s former studio on the Boulevard des Capucines on Paris’s fashionable Right Bank.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |